Knowledge
Base

Link Pod

Downloads

Literature

History of the Synthesized Beat

Apple Computer, Inc. 2004
Logic Pro 7 Plug-In Reference. Apple Computer, Inc.; Cupertino, CA.

Chion, M; Gorban, C., Editor. 1994
Audio-Vision: Sound On Screen. Columbia University Press; New York.

Cook, Perry, R. 2001
Music, Cognition, And Computerized Sound: An Introduction To Psychoacoustics. MIT Press; Massachusetts.

Davey, A. 2003
Detail: Exceptional Japanese Product Design. Laurence King; London.

Davis, G; Jones, R. 1990
Yamaha Sound Reinforcement Handbook (2nd Edition). Hal Leonard Publishing Co.

Haas, J., Clelland, K., Mandell, J.
2001 NI-Spektral Delay Operation Manual. Native Instruments Software Synthesis GmbH; Berlin.

Huber, David Miles; Runstein, Robert E. 1997
Modern Recording Techniques. Focal Press; Oxford.

James, J. 1993
The Music of The Spheres: Music, Science and The Natural Order of The Universe. Copernicus; New York.

Johnston, I. 1989
Measured Tones: The Interplay of Physics and Music. IOP; Bristol.

Kahn, Douglas; Whitehead, Gregory. 1992
Wireless Imagination: Sound, Radio and the Avant-garde. MIT Press; Massachusetts.

Kahn, Douglas. 2001
Noise, Water, Meat: A History of Sound in the Arts. MIT Press; Massachusetts.

Katz, Bob; 2002
Mastering Audio: The Art and the Science. Focal Press; Oxford.

Kirby, Michael; Kirby, Victoria Nes (Translations from Italian.) 1971
FUTURIST PERORMANCE. PAJ Publications; New York.

Koppelman, C. 2005
Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple’s Final Cut Pro And What This Means For Cinema. New Riders; CA.

LoBrutto, Vincent. 1994
SOUND-ON-FILM: Interviews with Creators of Film Sound. Praeger, West Port, CT.

Murch, W. 2001
In The Blink Of An Eye, A Perspective On Film Editing. 2nd Edition. Silman-James Press; L.A.

Ondaatje, M. 2003
The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury; London.

Owinski, B. 1999
The Mixing Engineers Handbook. MixBooks; Vallejo, CA.

Risset, J. C.; Matthews, M., Pierce. J., Editors. 1989
Additive synthesis of inharmonic tones. Current Directions in Computer Music Research. The MIT Press; Cambridge, Massachusetts.

Roads, Curtis. 1996
Microsound. MIT Press; Massachusetts.

Rumsey, Francis. 2003
Spatial Audio. Focal Press; Oxford.

Rumsey, Francis and McCormick, Tim. 2002.
Sound and Recording, An Introduction. Fourth Edition, Focal Press; Oxford.

Schafer, R. Murray. 1994
The Soundscape: Our Sonic Environment and the Tuning of the World. Destiny Books; Rochester, Vermont.

Slaney, M. 1996
Automatic Audio Morphing. International Conference on Acoustics, Speech, and Signal Processing. IEEE; Atlanta, GA.

Swannell, J., Executive Editor. 1994
The Oxford Modern English Dictionary. Oxford University Press; Oxford.

Truax, B. 1999
Handbook for Acoustic Ecology: CD-ROM Edition. Cambridge Street Publishing; Massachusetts.

Ward, M. 2001
Universality: the underlying theory behind life, the universe and everything. St. Martin’s Press; New York.

White, P. Editor In Chief. 2004
Sound On Sound: All Things Must Pass. Dave Lockwood Publishing; Cambridge, UK.

Wishart, T. 1994
Audible Design: A Plain And Easy Introduction To Practical Sound Composition. Orpheus the Pantomime Ltd.

Wishart, T. 1996
On Sonic Art. Harwood Academic Publishers; OPA Amsterdam
B.V GmbH.